Words and Pictures

SECRET GARDENS OF EAST ANGLIA

 

Barbara Segall. Photography by Marcus Harpur

Frances Lincoln £20. Hardback.  Published 7th September 2017.

It’s impossible to resist dipping into the pages of any book with the words “secret” and “garden” in the title.

We all love peering over the garden gate  to get a glimpse of other people’s property.

And in Secret Gardens of East Anglia, Barbara Segall is our excellent guide, taking us straight down the drive and through the front gates of 22 privately owned gardens.

It is quite a revelation. We see sumptuous planting, grand sculpture, rose parterres, moated gardens,  and wildflower meadows galore! A real  treat – in words and pictures.

Here is just a flavour of some of the glorious gardens featured.

Wyken Hall, Stanton, Suffolk

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Photo credit Marcus Harpur. Perfectly co-ordinated, one of Wyken Hall’s peacocks is poised beneath a blue wooden pergola covered in climbing Rosa Blairii Number Two. The pergola is reminiscent of one at Bodnant in Wales. Owners Kenneth and Carla Carlisle have created a sumptuous rose garden, favouring highly-scented old rose varieties with soft coloured perennials such as delphiniums, astrantia and artemisia. The sound of water and the scent of roses always draws  me in. I could picture myself sitting in this beautiful garden on a hot, sunny summer’s day. Yes, I would be quite happy here!

Columbine Hall, Stowupland, Suffolk

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Photo credit Marcus Harpur. In my opinion, the most romantic of the gardens featured.  I’ve long been entranced by the walled kitchen garden which I first spotted on twitter. Head gardener and estate manager Kate Elliott ( @columbinehall) has worked here for 20 years and rightly describes the garden as her “pride and joy.”  Blue-grey paintwork used for gates, bridges and obelisks caught my eye, along with the planting scheme of silver and blue-mauve through to pink. Purple kales such as Cavolo Nero, Redbor and Rouge de Russie are set amongst  the silver leaves of globe artichokes.  I wasn’t surprised to read the owners’ comments :”We pick from the Kitchen Garden only with Kate’s permission, so as not to upset the colour co-ordinations or symmetry.”  A rare glimpse behind the scenes into the work and dedication that goes into creating a garden such as this.

 

Elton Hall, Elton, Cambridgeshire

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Photo credit Marcus Harpur. Home to Sir William and Lady Proby who chose to make a modern garden, rather than recreate the past.  The stately house has been in the Proby family for more than 300 years. It’s  fascinating to see how the contemporary design of the fountain and the pyramid topiary is set against a Gothic style house with turrets and castellations.  Proof that a modern style can work in a setting that’s steeped in history.

Wood Farm, Gipping, Suffolk

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Photo credit Marcus Harpur.    The photograph shows irises, cornflowers, mounds of lavender and box. On the other side of the property, the house appears to drift on a sea of white ox-eye daisies. The golden centres of the daisies are an exact match with the colour of the 500 year old Suffolk farmhouse. A very pretty house and garden and I would love to have the chance to ramble along that  garden path.

I must mention Ulting Wick, Ulting, Essex. Long on my  special-places-to-visit list, the owners Bryan and Philippa Burrough  have planted 10,000 tulips in the Old Farmyard garden. A particular feature of the garden is the bold and jewel-like colours set against the black paintwork of three listed barns. In spring, the bulbs take centre stage, but in late summer, it is the dahlias and bronze-leaved Ensete that turn up the heat. The garden has opened to the public for the past 14 years in aid of the National Gardens Scheme. After reading Barbara’s book you will want to follow  Philippa’s garden tweets @UltingWick. The sheer amount of work that goes into creating a garden such as this is highlighted in the stunning photos in the book.

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Barbara is a most entertaining “host” on what feels like the best holiday road trip /garden visit tour- ever.  Reading this beautiful book is like walking alongside Barbara. She expertly points out the secret areas and the special treasures in each garden.  The history and the background information is fascinating. And it feels such a treat to be “let in”  to these treasured, private spaces.

It’s a joy to read the stories behind the gardens and  to “meet” the people who own them.  And if the book has whetted your appetite- all but one of the 22 gardens are open to visit – on selected days of the year or by appointment only.

BARBARA SEGALL is a well-known horticulturist and garden writer. I’ve always looked out for her writing in the English Garden Magazine and also on the Richard Jackson’s Garden website. She is editor of The Horticulturist,  the journal of the Chartered Institute of Horticulture, also editor of Herbs magazine for the Herb Society. Barbara lives in Suffolk and her first book for Frances Lincoln was Gardens by the Sea with photos by Marcus Harpur’s father, Jerry.  Barbara’s blog is http://www.thegardenpost.com.

MARCUS HARPUR . I’ve know Marcus since about 1992 when he left book publishing to join his father to form the Harpur Garden Library.  Sadly , Marcus died on August 6th this year after 18 months of illness. He saw finished copies of the book, but poignantly didn’t live to see it go on sale. When I spoke to him last, he described working on the book as “A joyful and satisfying project.”  He was a much loved and well respected photographer whose  skill in capturing the light and beauty in a garden is plain for all to see in this his final book.

Pre-order on Amazon at  amzn.to/2oqHgM2

Thank you to Frances Lincoln/ Quarto Group Books for supplying this advance copy for review.

 

 

 

 

 

Words and Pictures

THE GARDEN PHOTOGRAPHY WORKSHOP

Andrea Jones (Timber Press £17.99)

The postman arrived to find me wobbling at the top of a step ladder, peering through a piece of black cardboard with a square cut out of the middle. “I’m composing photos of my garden,” I heard myself saying. Oh dear. How mad does that sound! I rather sheepishly climbed down and made him a cup of tea while he chuckled away. 

Over tea and biscuits in the potting shed, I explained that my new photography workbook recommended using a piece of card to practise framing a view.  It works close up, as well as for landscape views. I just had to learn how to squint through the cut out square- while up a ladder, and while keeping my balance. The postman declared it could all end in tears.

Anyway, as he continued his round, laughing as usual, I went back to my new book. Andrea Jones has produced a fabulous masterclass giving hints and tips on the best ways of capturing the garden. 


 Some of the ideas were a complete revelation. I had never heard of making a viewfinder to try out different angles. And I had never thought of looking down on my garden- or looking up.  Most of my photos are straight shots, taken from a standing position. So I tried it out on these tiny species rockery tulips. Looking down: 


Looking up. A worm’s-eye view. 

I haven’t quite got the best shot. They are so tiny, I needed to move some of the stems out of the way.  But it’s still an interesting view. I shall work on the idea. 

And here’s another photo I took from a standing position. A glorious garden at Burghley House near Stamford, open for the NGS scheme. 


And the worm’s-eye view, crouching down amongst the flowers: 

Over the past 25 years, Andrea has built an international reputation for her photography of landscapes, gardens and plants. Among the many awards, she was voted Photographer of the Year by her peers at the Garden Media Guild. Her website for more information is andreajones.co.uk

Andrea suggests making a plan of action- rather than just casually wandering  around the garden taking random shots (like I do now). Some of the best ideas I gathered from the book include:

Use a compass – a smart phone has a compass app- to get an idea of the light direction and potential shadows.

The best light for taking photos is the “golden hour” the first hour after the sun rises and the last hour of light before the sun sets. Use an online sunrise and sunset app to estimate the time. 

Tripods make a world of difference for taking good photos. But if, like me, you are using a camera phone, a small piece of tack or Plasticine can be used to position a phone temporarily on a secure surface to avoid camera shake. I tried this on top of the garden gate. 

If taking shots in bright, contrasty light, use your body to create a shadow and reduce the amount of light reaching the plant or subject of the photo.

Other headings in the book include: Photography in all Seasons, Photographing Pets and Wildlife, Working with Weather, Light, Macro, Micro, and Close-up, Essential Kit, and Catching the Moment. 

I am working my way through the rest of the book. There are 10 inspiring gardens featured with step-by-step lessons on observation, storytelling, composing, and editing. Andrea’s book helps you take your photography to another level, whether you are using a smart phone like me, or have the latest DSLR. It’s a master course on capturing the magic of gardens. 

Unfurling. My Black Parrot Tulip. A favourite this spring. Except, my foot is also in the photo. Sigh. I still have some work to do then. 


Thank you to Timber Press  for supplying The Garden Photography Workshop-  in exchange for an honest review. I will leave you with my cat Grace who shares my home- and garden- and who sits very patiently while I practise my new photography skills. 


Do you enjoy taking photographs of your garden?